SELECTED GROUP SHOWS
2016 Against the Grain Women’s Center for Creative Work Los Angeles
2012 Films from Filmoteka Muzeum ELECTRA, London UK
V I D E O E X – F E S T I V A L 1 2 Zurich, Switzerland
Videoex is Switzerland’s largest festival dedicated to experimental film and video. Over the course of nine days, Videoex shows films and videos beyond conventional narrative cinema: experimental, visually surprising, conceptually unexpected or controversially political films and videos on the threshold between visual art and film
2011 Mother Festival, Berlin, Germany.
2007 1, 2, 3 Avant-gardes, Centre for Contemporary Art, Warsaw, Poland.
2006 1, 2, 3 Avant-gardes, German Federal Cultural Foundation, Berlin, Germany.
2004 The Films of Polish Women Artists in the 1970s and 1980s TATE Modern, London, UK. PARAKINO: From Archives of Polish Experimental Film, Centre for Contemporary Art, Łazna Gdansk, Poland.
2003 Videoworks from Poland 1970s and 1980s and Contemporary Video from Poland Atelier Nord Oslo, Norway.
2003 Architecture of Gender: Contemporary Women’s Art in Poland. The Kitchen, Center for Video, Music, Dance, Performance, Film + Literature, New York, USA.
2002 The Films of Polish Women Artists in the 1970s and 1980s, Centre for Contemporary Art Ujazdowski Castle, Warsaw Poland, Woman with Camera in Poland, Wozownia Gallery, Torun, Poland.
1993 International Artist’s Book Exhibition, Hungarian National Gallery, Budapest, Hungary.
1992 Pages and Books, Centre For Contemporary Art, Warsaw, Poland.
1989 Drawing, Centre For Contemporary Art, Warsaw, Poland.
1988 Young Generation of Polish Constructivism, Pleiades Gallery, Athens, Greece.
1988 4th International Triennial of Drawing, Wroclaw, Poland.
1986 Recordings, BWA, Lublin Poland.
1985 Videoforum, STK, Lódz, Poland.
1984 Nieme Kino (Silent Kino), Strych, Lódz, Poland.
1983 International Graphics II, Gallerija Fenici, Valletta, Malta.
1981 Sztuka Faktu (Art of Facts) 1970-1980, BWA, Bydgoszcz, Poland. Nowe Zjawiska w Sztuce 70-80 (New Appearances in Art 70-80), BWA, Sopot, Poland.
1981 Miastko 81, Artist plain-air Miastko, Poland.

SELECTED OTHER PROJECTS
1980-82 Woman’s art mail art project
1981 Art of 70-80 Recollection/Anticipation, curator and organisor of art session at S Gallery, Torun, Poland,
Books: Limits of human abilities, Art is in Life, Real Information, Pro/La manifesto
Films: Limits of human abilities, Art is in Life, Pictures

COLLECTIONS
Centre for Contemporary Art, Warsaw, Poland
Museum of Modern Art in Warsaw, Poland
Project-Galerie New Space Fulda, Germany

SELECTED BIBLIOGRAPHY OF CRITICAL REVIEWS
Ksiazki i strony (Books & Pages) Rypson Piotr,Centre for Contemporary Art, Warsaw, Poland. 1992
The Films of Polish Women Artists in the 1970s and 1980s – From the Archive of Polish Experimental Film, Ronduda Lukasz ArtMargins 2004
Kultura zrzuty Truszkowski Jerzy, “Fort Sztuki” Magazine, Kraków, Poland. Jan 2005
The Films of Polish Women Artists in the 1970s and 1980
https://artmuseum.pl/en/filmoteka/programy/filmy-artystek-polskich-z-lat-70
From the Archive of Polish Experimental Film
ARTMargins Online: ARTMAGASINS http://www.artmargins.com/index.php/8-archive/216-the-films-of-polish-women-artists-in-the-1970s-and-1980s-from-the-archive-of-polish-experimental-film-
Kultura zrzuty Festiwal Sztuka i Dokumentacja | Art and Documentation Festival Journal on Art
http://www.doc.art.pl/sympozjum2012.htm

EDUCATION & TRAINING HIGHLIGHTS
Masters of Fine Art and Education
Nicolaus Copernicus University, Torun, Poland
University of Toronto, Information Technology Centre, Toronto, ON
Computer Applications in Graphic Design
Editorial Design course
Ontario College of Art, Toronto, ON

Interdisciplinary art practice, involving photography, performance, public photo projects, drawing, mixed media projects, artist’s books, mail art and film.
Participated in independent art movement and interested in experimental, exploratory, connecting and healing aspects of art with no attachment to a specific medium.
In my work I ask questions about the human condition and dilemmas and inquire about inner experiences: the answers engage simple human truths, emotions and feelings. Typically I use a variety of media to explore a central theme. My prominent quality is in intuitive synthesis of the environment.
My artwork has been exhibited in artistic institutions in Europe and the USA such as the TATE Modern London UK, The Kitchen (Center for video, music, dance, performance, film + literature) N.Y.C and the Centre for Contemporary Art, Warsaw.
One of my best known projects The Limits of Human Abilities, incorporated film, photography, drawing, and a book. Author Piotr Rypson has described my work as an “autonomous closed structure, within which a particular problem or artistic theme is being solved”. In 1981 I created a mail art project using photography and stamps titled Woman’s Art. I used mostly photos of myself. Each photo is a performance for photography. The problem of alienation from the body was explored in the context of the more aggressive feminist art of this time. In Rynek (Market Place) I asked an actor to join people sitting on benches in the market-place and to assume a position that mirrored theirs. All these performance-interventions were photo-documented.